Edouard Vuillard
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November 11, 1868-June 21, 1940. French painter.

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GRAFF, Anton
A market in an Italianate harbour with Diogenes in search of an honest man

ID: 96829

GRAFF, Anton A market in an Italianate harbour with Diogenes in search of an honest man
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GRAFF, Anton A market in an Italianate harbour with Diogenes in search of an honest man


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GRAFF, Anton

Swiss-born German Painter, 1736-1813 Swiss painter, active in Germany. He was a pupil of Johann Ulrich Schellenburg (1709-95) in Winterthur and continued his training with Johann Jakob Haid in Augsburg between 1756 and 1765. He worked for the court painter Leonhard Schneider (1716-62) in Ansbach from 1757 to 1759, producing large numbers of copies of a portrait of Frederick the Great (probably by Antoine Pesne). This was an important step in furthering his career, as were the months he spent in Regensburg (1764-5) painting miniatures of clerics and town councillors. He was court painter to the Elector Frederick-Christian of Saxe-Weimar in Dresden from 1766 and taught at the Hochschule der Bildende Kenste there. In 1771 he travelled to Berlin, where he painted portraits of Jakob Mendelssohn, Gotthold Ephraim Lessing and J. G. Sulzer. Sulzer introduced him at court, which resulted in many commissions. He was invited several times to teach at the Akademie der Kenste in Berlin, but he remained in Dresden. He often travelled to Leipzig, and in summer he frequently went to Teplitz   Related Paintings of GRAFF, Anton :. | Portrait of Manuela Tellez Giron y Pimentel | den 30 november 1718 | Still life with Pears and Grapes | Rebecca at the Well | Tax Collector |
Related Artists:
Karl Kaspar Pitz
painted Portrait of a cleric a book in his right hand, by a marble bust in before 1795
Henry Perronet Briggs
British Painter, ca.1791-1844
Bernaert de Ryckere
Bernaert de Rijckere (c1535, Kortrijk - 1590, Antwerp), was a Flemish Renaissance painter. According to Karel van Mander he was born in Kortrijk and was admired there for an altarpiece depicting Christ bearing the cross, which he made for the St. Marten's church of the brothers of the Cross there. He later took on a different style that Karel van Mander had heard of but had not seen to be able to judge it for himself. He said he moved to Antwerp and joined the Guild of St. Luke there in 1561. According to the Netherlands Institute for Art History he was the teacher of his son, the painter Abraham de Rijcke, and is known for landscapes and historical allegories.






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